| 2006 |
Sarah
Eyerly (UC
Davis),
“‘Singing from the Heart’: Memorization
and Improvisation in an Eighteenth-Century Utopian Community.” |
| 2005 |
Gordon
Haramaki (UCLA),
“‘In the Flesh as Well as the Spirit’: (Meta)Physical
Embodiment in Monteverdi's setting of Ave Maris Stella
(1610) .” |
| 2004 |
Sara
Gross (UCLA),
“Scarlatti and the Spanish Body: On National Character
in the Keyboard Works of Domenico Scarlatti.” |
| 2003 |
Jonathan
Greenberg
(UCLA), “The Generic Bifurcation of the Lied at the Fin
de siècle: Both Versions of Mahler’s Lieder
eines fahrenden Gesellen” |
| 2002 |
Peter
J. Schmelz
(UC Berkeley), “The Man Who Was Forbidden to Eat Chocolate:
Edison Denisov’s Sun of the Incas and Unofficial
Music in the Soviet Union, c. 1965” |
| 2001 |
Kate
Bartel (UCLA), “Sacred Structure, Scriptural
Sense: Josquin’s Huc me sydereo” |
| 2000 |
Beth
E. Levy (UC Berkeley), “How Roy Harris Became
Western” |
| 1999 |
Jacqueline Warwick (UCLA),
“Fleshing Out Bilitis” |
| 1998 |
Francesca
Draughon (UCLA), “‘Truth
and Poetry in Music’: Autobiography in the Funeral March of
Mahler’s First Symphony” |
| 1997 |
Steven Baur (UCLA), “Beethoven,
Myth and the Sonata quasi una fantasia, Op. 27, No.
2” |
| 1996 |
Klára Móricz
(UCB), “Politics, Religion, and Music in Arnold Schoenberg’s
Kol Nidre and A Survival from Warsaw” |
| 1995 |
John McGuinness (UCSB),
“Debussy's Jeux: Moment Form or Movement Form?” |
| 1994 |
Annette
Richards (Stanford), “Nature Untamed by Art?
- The Free Fantasia and the Musical Picturesque”
|
| 1993 |
Mark
Brill (UC Davis), “Colonial Rediscovery: A
New World Zapotec Mass” |
| 1992 |
Luisa Vilar-Payá
(UCB), “Of Row Forms and Counterpoint: Axes of Symmetry
and Pitch-Class Retention in the Minuet of Schoenberg’s
Suite Op. 25” |
| 1991 |
Walter
Aaron Clark (UCLA), “To See Ourselves as Others
See Us?: Isaac Albéniz’s Pepita Jiménez
and Spanish Opera al fin de siglo” |
| 1990 |
Joan Brainard (Stanford),
“Some Suggestions for Performance of Bartok's Six
Dances in Bulgarian Rhythm” |
| 1989 |
Leah Morrison (USC), “More
Greenery! More Foliage! German Set Design 1813-1883 and Wagner's
Quest for Illusion” |
| 1988 |
Michael
Lee (USC), “Nikolai Rimsky-Korsakov: Portrait
of a Musical Revolutionary” |
| 1987 |
Irene Alm (UCLA), “Stravinsky,
Balanchine and Agon: An Analysis Based on the Collaborative
Process” |
| 1986 |
Philip
E. Schreur (Stanford), “The Notational figurae
of Phlippus de Caserta” |
| 1985 |
Alyson
McLamore (UCLA), “Tactus: The Common Weedcutter's
Beat” |
| 1984 |
David Breckbill (UCB),
“Singers and Singing in the Ring until World War
II” |
| 1983 |
Roland
Hutchinson (Stanford), “The Philosophe
as Musicus: Moses Mendelssohn, Kimberger, and Equal
Temperament” |
| 1982 |
V.
Kofi Agawu (Stanford), “‘Structure’
versus ‘Rhetoric’ in Classic Music: A Study of Beethoven’s
Opus 132” |
| 1981 |
Stephen
Parkany (UCB), “The Music Process of Siegfried,
Act I, Scene 2” |
| 1980 |
Cherly Lee Spencer (USC),
“The Question of Rhythm in a 13th-Century Lauda Manuscript” |
| 1979 |
Victoria
J. Lindsay (CFSU), “Modulation and Style Shift
in Soler’s Keyboard Sonatas” |
| 1978 |
Cheryl
Sprague (UCLA), “Artaserse Transformed:
The Metamorphoses of a Metastasian Libretto during the 18th
Century” |
| 1977 |
Pamela
Susskind (UCB), “Clara Schumann, Pianist and
Composer” |
| 1976 |
Brian
Mann (UCB), “Michelangelo Rossi's Madrigali”
Barbara M. Barclay (UCLA),
“Organa Lititi”
Mary Kay Duggan (UCB),
“Queen Joanna and Her Musicians” |
| 1975 |
Thomas
Bauman (UCB), “Benda’s Melodrama: Musical,
Theatrical and Social Environment” |
| 1974 |
Bruce
Lamott (Stanford), “The Spiridion Novo
Instruction: Source Book for Keyboard Improvisation” |
| 1973 |
Lester
Brothers (UCLA), “A New World Mass by Capillas” |
| 1972 |
James
Moore (UCLA), “The Dafne of Gagliano” |
| 1971 |
David
Fallows (UCB), “Luffil: An English
Song in South-German Sources of the 15th-Century” |
