40th Annual UCLA Art History Graduate Student Association Symposium
9:30AM until 5:00PM
In Hammer Museum
40th Annual UCLA Art History Graduate Student Association Symposium ON COLLECTING: FORMATION, TRANSMISSION AND RECEPTION
Hammer Museum
Friday, October 28, 2005 9:30-9:45 AM OPENING REMARKS
10:00-11:30 AM FORMATION: THE COLLECTION AS COMMODITY
Art as Commodity: Collecting European Paintings in New Spain Rebecca Long, Institute of Fine Arts, New York University
Negotiating Class and Ethnic Identity: The Eighteenth- Century Chinese Art Collector An Qi Christine Yu, University of Chicago
The Collecting of Collections: Reproductive Prints as Meta- Collections in Eighteenth-Century France Amy M. Von Lintel, University of Southern California
11:30-12:30 PM LUNCH BREAK
12:30-2:00 PM TRANSMISSION: POLITICS, GEOGRAPHY AND THE COLLECTION
Politically Mobilizing Collections of Material Culture: Three Nineteenth-Century French Expeditions to Tiwanaku, Bolivia Erik J. Marsh, UC Santa Barbara
Flowers of the Colony, Seeds of Independence: The Illustrations of the Royal Botanical Expedition to Nueva Granada Alejandra Rojas, Harvard University
Colonial Collecting: Religious Art for Private Patrons in the Southern Andes Maya Stanfield-Mazzi, UCLA
2:00-3:30 PM RECEPTION: THE COLLECTION IN SITU
From Site to Screen: Urban Screen Sites and the Production of Posthuman Landscapes Katheryn Wright, Florida State University
Collecting Architecture, from Museum to Home Irene Sunwoo, Architectural Association, London/Princeton University
The Body as/of Evidence: Collecting, Curating and Conserving Performance Art in Contemporary Museums Jovana Stokic, Institute of Fine Arts, New York University
3:30-5:00 PM KEYNOTE LECTURE
An Ambiguous Relationship? Art History and the History of Collecting Professor Malcolm Baker, Director, University of Southern California - Getty Program in History of Collecting and Display
The Hammer Museum is located at 10899 Wilshire Boulevard, on the northeast corner of Westwood and Wilshire in Westwood Village, three blocks east of the 405 Freeway. Parking is available under the Museum. Rates are $2.75 for the first three hours with Museum stamp; $1.50 for each additional 20 minutes. Parking for people with disabilities is provided on levels P1 and P3. The 40th Annual AHGSA Symposium is funded by the UCLA Arts & Architecture Council, Campus Program Committee of the Program Activities Board, Graduate Student Association, Hammer Museum, Department of Art History and Friends of Art History.
http://www.humnet.ucla.edu/humnet/arthist/ahgsa/collecting/ home.htm
-- submitted by Heather Gould (webcalendar@humnet.ucla.edu)
For more information, see http://www.humnet.ucla.edu/humnet/arthist/ahgsa/collecting/home.htm
40th ANNUAL UCLA ART HISTORY GRADUATE STUDENT ASSOCIATION SYMPOSIUM ON COLLECTING: FORMATION, TRANSMISSION, AND RECEPTION
9:30AM until 5:00PM
In Hammer Museum, Westwood
9:30-9:45 AM OPENING REMARKS 10:00-11:30 AM FORMATION: THE COLLECTION AS COMMODITY Art as Commodity: Collecting European Paintings in New Spain Rebecca Long, Institute of Fine Arts, New York University
Negotiating Class and Ethnic Identity: The Eighteenth- Century Chinese Art Collector An Qi Christine Yu, University of Chicago
The Collecting of Collections: Reproductive Prints as Meta- Collections in Eighteenth-Century France Amy M. Von Lintel, University of Southern California
11:30-12:30 PM LUNCH BREAK
12:30-2:00 PM TRANSMISSION: POLITICS, GEOGRAPHY AND THE COLLECTION Politically Mobilizing Collections of Material Culture: Three Nineteenth-Century French Expeditions to Tiwanaku, Bolivia Erik J. Marsh, UC Santa Barbara
Flowers of the Colony, Seeds of Independence: The Illustrations of the Royal Botanical Expedition to Nueva Granada Alejandra Rojas, Harvard University
Colonial Collecting: Religious Art for Private Patrons in the Southern Andes Maya Stanfield-Mazzi, UCLA
2:00-3:30 PM RECEPTION: THE COLLECTION IN SITU From Site to Screen: Urban Screen Sites and the Production of Posthuman Landscapes Katheryn Wright, Florida State University
Collecting Architecture, from Museum to Home Irene Sunwoo, Architectural Association, London/Princeton University
The Body as/of Evidence: Collecting, Curating and Conserving Performance Art in Contemporary Museums Jovana Stokic, Institute of Fine Arts, New York University
3:30-5:00 PM KEYNOTE LECTURE An Ambiguous Relationship? Art History and the History of Collecting Professor Malcolm Baker, Director, University of Southern California - Getty Program in History of Collecting and Display
The Hammer Museum is located at 10899 Wilshire Boulevard, on the northeast corner of Westwood and Wilshire in Westwood Village, three blocks east of the 405 Freeway. Parking is available under the Museum. Rates are $2.75 for the first three hours with Museum stamp; $1.50 for each additional 20 minutes. Parking for people with disabilities is provided on levels P1 and P3. The 40th Annual AHGSA Symposium is funded by the UCLA Arts & Architecture Council, Campus Program Committee of the Program Activities Board, Graduate Student Association, Hammer Museum, Department of Art History and Friends of Art History.
For additional information about the Symposium, go to http://www.humnet.ucla.edu/humnet/arthist/ahgsa/collecting/ home.htm
Contact info: AHGSA Symposium 2005 Committeel ahsympos@humnet.ucla.edu
-- submitted by Stacey Rosborough (webcalendar@humnet.ucla.edu)
For more information, contact ahsympos@humnet.ucla.edu