Views: artistic
Chiarini, P., Ed. (1994). Il paesaggio secondo natura. Jacob Philipp Hackert e la sua cerchia. Rome, Assessorato alla Cultura, Regione Lazio, Assessorato alla Cultura, Assessorato al Turismo, Istituto italiano di Studi Germanici, Associazione Culturale Artemide.
De Angelis, G. (1993). Dieci vedute della villa di Orazio (1780) di Jacob Philipp Hackert. Tivoli.
Hackert, P. (1780). Carte generale de la partie de la Sabine où etoit situèe la Maison de Campagne d'Horace, suivie de dix Vues des sites de cette Campagne et de ses Environs, nomme's dans les Oeuvres d'Horace, et relatives aux dissertations que Mr. l'Abbé de Santis, Mr. l'Abbe' Capmartin de Chaupy et Mr. de Ramsay ont publié à ce sujet. Dediées à Sa Majesté Gustave III Roi de Suede des Goths et des Vandales &c. &c. &c. Par son très humble très obeïssant et très soumis serviteur Ja: Ph: Hackert. Rome, George Hackert Graveur.
Halsby, J. (1986). Scottish Watercolours, 1740-1940. London.
Harding, J. D. (1833). Licenza (From the spot where formerly stood Horace's Villa). London.
Harding, J. D. and S. Prout (1833). One Hundred and Four Views of Switzerland and Italy. London.
John Smith, artist and John Emes, engraver (1795). Villa of Horace &c. in: Select Views in Italy with Topographical and Historical Descriptions in English and French. London, vol. 1.
Leone, R. (1993). Incisioni di traduzione da opere di Jacob Philipp Hackert. Bollettino dei Musei Comunali di Roma 7 (Nuova Serie): 137-145.
More, Jacob (ca. 1777). Watercolors of Horace's Villa and the Licenza Area (in the National Gallery of Scotland).
Petrocchi, G. U. (1990). La lettura del paesaggio attraverso il volume 'Viaggio a Tivoli' di Filippo Alessandro Sebastiani. Atti e Memorie della Società Tiburtina di Storia e d'Arte 63: 47-54.
Ramsay, A. (1755-57). Allan Ramsay, Sketch Book, 1755-57 (in the National Gallery of Scotland).
Ramsay, A. (1775). Panoramic View near Licenza (in the National Gallery of Scotland).
Roscoe, T. ([1833]). Tourist in Italy. Illustrated from Drawings by J. D. Harding. London, Jennings and Chaplin.
Sickler, F. K. L. (1829). Erklärung der dreissig Bilder zu Horazens Werken. Carlsruhe.
Smart, A. (1992). Allan Ramsay: Painter, Essayist, and Man of the Enlightenment. New Haven and London.
Smith, J., W. Byrne, et al. (1816). Select Views in Italy, with Topographical and Historical Descriptions, in English and French. London
