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Odes 2.13
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In Odes II.13, Horace tells us of an incident on the grounds of his villa in which, he feels, his life was at stake: a tree unexpectedly crashed down nearly killing the poet. Horace returns to this frightening narrow escape in Odes II.17.27-30 and, briefly, at Odes III.4.27. In Odes II.13, Horace begins by cursing the man who planted the tree but then his tone rises to a gentler, more lyric mode when, in verses 13-14 he draws the lesson that we all fail to pay attention to the real dangers in life. He gives several examples of this, including his own brush with death (verses 21ff.), but then the poem goes off on an apparent tangent as Horace begins to imagine the Underworld. There he sees Sappho and Alcaeus making (competing in?) poetry, and the lyric poems they produce in death reflect those they composed while alive, running the gamut of lyric themes from Sappho's love complaints to Alcaeus' political poems. The power of lyric poetry charms the dead, and even gives momentary comfort to suffering sinners like Prometheus and Tantalus. Horace's own poem works the healing magic of lyric on the poet himself, who by the end has forgotten his fear of death and recovered his composure. | ||||||||||||||||
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The line numbers are keyed to the Latin text. For proper viewing, please set your screen to at least 800 x 600 pixels. Epistles: 1.7 | 1.10 | 1.14 | 1.16 | 1.18 Epode: 2 Odes: 1.17 | 1.20 | 1.22 | 2.13 | 2.17 | 2.18 | 3.1 | 3.4 | 3.8 | 3.13 | 3.18 | 3.22 | 3.23 | 3.29 Satires: 2.3 | 2.6 | 2.7 |
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