Books, Edited Volumes, and Minor Monographs:

• Suspended Music: Chime-Bells in the Culture of Bronze Age China.  Berkeley and Los Angeles: University of California Press, 1993.
• Japanese Scholarship on Early China, 1987-1991: Summaries from Shigaku Zasshi (editor). Early China Monographs, vol. 4. Berkeley: Institute for Chinese Studies, University of California, Berkeley, forthcoming 2001.
• Zongmu: Xifang xuezhe kan Sanxingdui wenhua (Long-protruding Eyes: Western ScholarsÕ Perspectives on the Sanxingdui Culture) (editor and contributor). Chengdu: Ba Shu shushe, forthcoming 2001.
• Festschrift in Honor of K. C. Chang (editor, with Robert E. Murowchick et al.). Pt. 1: Journal of East Asian Archaeology vol. 1.1-4. Leiden: Brill, 1999. Pt. 2: Journal of East Asian Archaeology vol. 2.1-2. Leiden: Brill, 2000. Pt. 3: Journal of East Asian Archaeology vol. 3.1-2. Leiden: Brill, forthcoming 2001.
• Klangvorrat fŸr die Nachwelt: Neun chinesische Bronzeglocken der Sammlung Peter und Irene Ludwig. Museum fŸr Ostasiatische Kunst, Kšln. Heidelberg: Kehrer, 2000.
• Probleme der Koreanischen FrŸhgeschichte , OAG aktuell Nr.29, T™ky™ (Deutsche Gesellschaft fŸr Natur- und Všlkerkunde Ostasiens [OAG]), 1987.

Book Chapters and Articles (excluding review articles):

• "Social Ranking in Chu Tombs: The Mortuary Background of the Warring States Manuscript Finds." In Tomb Texts and Their Contexts: Papers from an International Workshop held at Hamburg University in July, 2000, Michael Friedrich and Hans Stumpfeldt (eds.). Forthcoming 2002.
• "Mortuary Behavior in Pre-Imperial Qin: A Religious Interpretation." In Religion in Ancient and Medieval China, Marc Kalinowski (ed.). Publications de lÕƒcole fran�aise dÕExtr�me-Orient. Paris: ƒcole fran�aise dÕExtr�me-Orient, forthcoming 2001.
• "Some Reflections on Sanxingdui." In Proceedings of the Third International Conference on Sinology, Taipei, June 28-30, 2000. Taipei, forthcoming.
• "New Evidence on yongzhong-Chimes From the Ninth to Seventh Centuries B.C." Submitted for publication to Artibus Asiae.
• "The Use and Significance of Ritual Bronzes in the Lingnan Region During the Eastern Zhou Period." To appear in Journal of East Asian Archaeology vol. 3.1/2 (Festschrift K. C. Chang, part 3, Robert E. Murowchick et al., eds.), forthcoming 2001.
• "Shangma. Demography and Social Differentiation in a Bronze Age Community in North China." Journal of East Asian Archaeology vol. 3.3/4, forthcoming 2001.
• "The Chengdu Plain in the Early First Millennium B.C.: Zhuwajie." In Ancient Sichuan: Treasures from a Lost Civilization, Robert W. Bagley (ed.), pp. 177-201. Seattle: Seattle Art Museum and Princeton University Press, 2001.
• "The Leigudun Finds in the History of Chinese Music." In Music in the Age of Confucius, Jenny F. So (ed.), pp. 101-114. Washington, D.C.: Arthur M. Sackler Gallery of Art, Smithsonian Institution, 2000.
• "Die Seiden mit chinesischen Inschriften." In Die Textilien aus Palmyra: Neue und alte Funde, Andreas Schmidt-Colinet, Anne-Marie Stauffer, and Khaled Al As'ad, editors, pp. 58-81. Deutsches ArchŠologisches Institut, Orient-Abteilung, Damaszener Forschungen, vol. 8. Mainz: Philipp von Zabern, 2000.
• "Late Western Zhou Taste." ƒtudes chinoises 18.1-2 (1999) (Festschrift Jean-Pierre DiŽny), pp. 143-178.
• "Su Bingqi (1909-1997)" and "Xia Nai (1910-1985)." In Encyclopedia of Archaeology: The Great Archaeologists, Tim Murray, editor. Santa Barbara et al.: ABC-Clio, 1999, pp. 591-600 and 601-614.
• "Inconsequential Incomprehensions: Some Instances of Chinese Writing in Alien Contexts." Res 35 (1999), pp. 42-69.
• "Bronzes from Feng-Hao and Environs, Shaanxi Province," "Chu Tombs at Xiasi, Xichuan, Henan Province," "Bronze E Jun Qi tally from Qiujiahuayuan, Shouxian, Anhui Province," and "The Tomb of King Cuo of Zhongshan at Sanji, Pingshan, Hebei Province" (introductions and catalogue entries). In Yang Xiaoneng (ed.), The Golden Age of Chinese Archaeology, pp. 228-235, 270-274, 340-344, 352-359. Washington: National Gallery of Art, 1999.
• "A South Chinese Bell in the Shumei Collection." Bulletin of the Miho Museum 2 (1999): 39-66.
• "The Waning of the Bronze Age: Material Culture and Social Developments, 770-481 BC." In The Cambridge History of Ancient China, Edward L. Shaughnessy and Michael Loewe, editors, pp. 450-544. Cambridge: Cambridge University Press, 1999.
• "Archaeology and the Study of Chinese Local Religion: A Discussant's Remarks." Cahiers d'Extr�me-Asie 10 (1998), pp. 411-425.
• "Neun chinesische Bronzeglocken in der Sammlung Ludwig."  To be published by the Museum für Ostasiatische Kunst, Cologne.
• "Les Zhou de l'Ouest," "Notices 20 ˆ 39," and (with Alain Thote) "Les inscriptions." In Rites et festins de la Chine antique: Bronzes du musŽe de Shanghai, catalogue of an exhibition held at the musŽe Cernuschi from September 23, 1998 to January 10, 1999, pp. 94-130 and 169-177. Paris: Findakly, 1998.
• "East Asian Bells After the Bronze Age: Comparisons and Reflections" (with Thomas D. Rossing). In Proceedings of the International Symposium "Chinese Archaeology Enters the Twenty-First Century" (1993), pp. 407-431, Chinese summary pp. 432-434. Beijing: Kexue, 1998.
• "Youguan Xi Zhou wanqi lizhi gaige ji Zhuangbai qingtongqi niandai de xin jiashuo: Cong shixi mingwen shuoqi" (A new Hypothesis Concerning the Late Western Zhou Ritual Reform and the Date of the Bronzes from Zhuangbai: Reflections on the Genealogical Terminology in the Bronze Inscriptions), translated by Li Ling, revised by the author. In Zhongguo kaoguxue yu lishixue zhi zhenghe yanjiu (Integrated Studies of Chinese Archaeology and Historiography), Tsang Cheng-hwa, editor, vol. 2, pp. 651-676. Taipei: Academia Sinica, Institute of History and Philology, 1997.
• "Lun Lingnan diqu chutu de zaoqi qingtong liyueqi" (On the earliest bronze vessels and bells from the Far Southern region of China). In Wu Yue diqu qingtongqi yanjiu lunwenji (Studies on Bronzes from the Wu and Yue Area), pp. 157-176. Hong Kong: Tai Yip, 1997.
• "The Moutuo Bronzes: New Perspectives on the Late Bronze Age in Sichuan." Arts Asiatiques 51 (1996), pp. 29-59.
• "The Concept of wen in the Ancient Chinese Ancestral Cult." Chinese Literature: Essays, Articles, and Reviews, 18 (1996): 1-22.
• "Inscribed and Decorated Objects" (with Roberta S. Greenwood). In Roberta S. Greenwood, Down by the Station: The Los Angeles Chinatown, 1850-1933. Los Angeles: UCLA Institute of Archaeology, 1996, pp. 147-163.
• "Notes on Calligraphy Displayed in a Physician's Office" (with Ronald C. Egan). In Greenwood, Down by the Station, pp. 189-192.
• "Reflections on the Political R™le of Spirit Mediums in Early China: The wu Officials in the Zhou li." Early China 20 (1995) (Festschrift for David N. Keightley), pp. 279-300.
• "The Regionalist Paradigm in Chinese Archaeology." In Nationalism, Politics, and the Practice of Archaeology, Philip Kohl and Clare Fawcett, editors. Cambridge: Cambridge University Press, 1995, pp. 198-217.
• "Acoustical and Musical Studies on the Sackler Bells" (with Thomas D. Rossing). In Eastern Zhou Bronzes from the Arthur M. Sackler Collections, Jenny F. So, editor. Ritual Bronzes from the Arthur M. Sackler Collections, vol. 3. New York: Abrams, 1995, pp. 431-84.
• "Sources of Taoism: Reflections on Archaeological Indicators of Religious Change in Eastern Zhou China." Taoist Resources 5.2 (1994), pp. 1-12.
• "The Effect of Geometry on the Tone Separation in Chinese Two-Tone Bells" (principal author: Thomas D. Rossing). In SMAC 93: Proceedings of the Stockholm Music Acoustics Conference July 28--August 1, 1993, Anders Friberg et al., editors. Stockholm: Publications issued by the Royal Swedish Academy of Music, No. 79, 1994, pp. 331-37.
• "On the Historiographical Orientation of Chinese Archaeology." Antiquity 67.257 (1993), pp. 839-49. Japanese translation by Anazawa Wak™, "Chžgoku k™kogaku-no bunken shigaku shik™," Kobunka dans™ 35 (1995), pp. 179-95. [Unauthorized, fault-ridden Chinese translation by Chen Chun, "Lun Zhongguo kaoguxue de bianshi qingxiang," Wenwu jikan 1995.2: 83-89.]
• "On the Early Development of Chinese Musical Theory: The Rise of Pitch Standards." Journal of the American Oriental Society 112.3 (1992), pp. 433-39.
• "Zeng Hou Yi yiqian de Zhongguo gudai yuelun -- cong Nangong Hu-zhong de yongbu mingwen shuoqi" (Ancient Chinese musical theory in the time before Marquis Yi of Zeng -- a discussion of the inscription on the shank of the Nangong Hu bell). Kaogu 1992.9, pp. 854-58.
• "Lun Jiangxi Xin'gan Dayangzhou chutu de qingtong yueqi" (The bells excavated at Dayangzhou, Xin'gan [Jiangxi]). Jiangxi Wenwu 1991.3, pp. 15-20, 6.
• "Chu Ritual Music." In New Perspectives on Chu Culture During the Eastern Zhou Period, Thomas Lawton, editor. Washington, D. C.: Smithsonian Institution, Arthur M. Sackler Gallery, and Princeton University Press, 1991, pp. 47-106.
• "Ahnenkult und Grabkult im vordynastischen Qin: Der religišse Hintergrund der Terracotta-Armee." In Jenseits der Gro§en Mauer: Der Erste Kaiser von Qin und seine Terracotta-Armee, Lothar Ledderose and Adele Schlombs, editors. Dortmund 1990 (MŸnchen: Bertelsmann Lexikonverlag, 1990), pp. 35-48.
• "'Shikin-no Onsei,' T™-Shž jidai-no shun, taku, d™, nado-ni tsuite" (Some Eastern Zhou Bells Used for Signal-Giving in Warfare). Sen'oku Hakkokan Kiy™ (Bulletin of the Sen'oku Hakkokan [Sumitomo Collection]) 6 (1989), pp. 3-26.
• "Niuzhong Chime-Bells of Eastern Zhou China." Arts Asiatiques 44 (1989), pp. 68-83.
• Probleme der Koreanischen Frühgeschichte , OAG aktuell Nr.29, Tôkyô (Deutsche Gesellschaft für Natur- und Völkerkunde Ostasiens [OAG]), 1987.
• "Architecture" (full title: "Early Classic Architecture of the Maya Lowlands, with a Note on the Comparison between Maya and Chinese Architecture"). In A Consideration of the Early Classic Period in the Maya Lowlands, Gordon R. Willey and Peter Mathews, editors. Institute for Mesoamerican Studies, State University of New York at Albany, Publication No.10(1986), pp. 111-33.