Donald F. McCallum Professor of Art History UCLA 405 Hilgard Avenue 100 Dodd Hall Los Angeles CA 90025-1417 mccallum@humnet.ucla.edu

PUBLICATIONS

Books

Zenkoji and Its Icon: A Study in Medieval Japanese Religious Art, Princeton University Press, 1994

Chapters

"The John McLaughlin Papers in the Archives of American Art," California: 5 Footnotes to Modern Art History, Los Angeles County Museum of Art, 1977, pp. 82-93.

"Historical and Cultural Dimensions of the Tattoo in Japan," in Arnold Rubin, ed., Marks of Civilization: Artistic Transformations of the Human Body, Los Angeles, 1988, pp. 109-134.

"Jo no Mai," ("Woman Performing Noh Dance"), in Kawakita Michiaki and Uemura Shoko, eds., Uemura Shoen, Kyoto, 1989, pp. 32-36.

"Enku: Sono Shugendo to Sozoryoku," ("Enku: Pilgrimage Activity and Creative Power"), in Nihon Bijutsu Zenshu Vol. 16, Katsura-Miya to Toshogu, Tokyo, 1991, pp. 194-199.

Articles

"Heian Sculpture at the Tokyo National Museum, Part I, Artibus Asiae 35.2/3 (1973), pp. 278-292.

"The Sculpture of Enku: Part One, The Early Period," Oriental Art N.S. 20.2 (1974), pp. 174-191.

"Heian Sculpture at the Tokyo National Museum, Part II, Artibus Asiae 36.1/2 (1974), pp. 147-160.

"The Ninna-ji-Amida Triad and the Orthodox Style," Artibus Asiae 36.3 (1974), pp. 219-241.

The Sculpture of Enku: Part Two, The Mature Period," Oriental Art N.S. 20.4 (1974) pp. 400-415.

"The Painting of John McLaughlin," Journal of the Los Angeles Institute of Contemporary Art, (May- June 1976), pp. 7-17.

"Edo Paintings from the Brotherton Collection at the Los Angeles County Museum of Art," Oriental Art N.S. 22.1 (1976), pp. 97-100.

"Shang and Chou Bronzes at the Los Angeles County Museum of Art," Oriental Art N.S. 22.3 (1976), pp. 316-317.

"Ch'ing Art at the Los Angeles County Museum of Art," Oriental Art N.S. 23.4 (1977), pp. 483-6.

"Chinese Archaeological Treasures in Tokyo," Oriental Art, N.S. 24.2 (1978), pp. 230-232.

"Heian Sculpture at the Shinano Art Gallery," Oriental Art 24.3 (1978), pp. 445-453.

"Gaijin ga Mita Nihon no Yogakatachi," ("A Foreign Look at Japanese Oil Painters"), Ningen to Bunka 18 (1979), pp. 103-136.

"The Influence of the Sui Styles on the Buddhist Sculpture of Korea and Japan," Proceedings of the International Symposium on Buddhist Art, Nara National Museum, Nara, 1979, pp. 1-10.

"Ecclesiastical Architecture in the Painting of Matsumoto Shunsuke," Humanities 14 (1980), pp. 119-142.

Buddhist Sculpture of the Seisui-ji, Matsushiro," Oriental Art 25.4 (1979-80), pp. 462-470.

"Korean Influence of Early Japanese Buddhist Sculpture," Korean Culture 3.1 (1982), pp. 22-29.

"Translation or Adaptation," review article of Jiro Sugiyama, Classic Buddhist Sculpture: The Tempyo Period, (trans. Samuel Morse), Monumenta Nipponica 39.2 (1984), pp. 183-190.

The Zenko-ji Amida Triad in Japanese Buddhist Sculpture," Proceedings of the Nitobe-Ohira Memorial Conference on Japanese Studies, University of British Columbia, 1984, pp. 128-181.

"Zenkoji Kenkyu ni tsuite no Kokusai-teki Tenbo," ("An International Perspective on Research Concerning Zenkoji"), Nagano 121 (1985), pp. 51-53.

"Yamagata Kennai no Zenkoji-shiki Sanzon-zo no Ichi-keito," ("One Lineage of Zenkoki-type Triads in Yamagata Perfecture"), Uyo Bunka 122 (1986), pp. 3-21.

"The Deity Depicted," review article of Christine Guth Kanda, Shinzo: Hachiman Imagery and Its Development, in Monumenta Nipponica 41.4 (1986), pp. 477-488.

"Zenkoji-shiki Amida Sanzon-zo no Ichi Keito: Koyasan Fudoin Sanzon-zo/Yamagata-Tochigi Ken no Shozo," ("One Lineage of Zenkoki Style Amida Triads: The Amida Triad at Fudoin, Mt. Koya, and Various Images in Yamagata and Tochigi Perfectures"), Nagano 136 (1987), pp. 1-17.

"Tokyo Kokuritsu Hakubutsukan Hokan Zenkoji- shiki Amida Sanzon-zo ni tsuite," (A Zenkoji Amida Triad in the Tokyo National Museum), Museum 441 (Dec. 1987), pp. 21-28.

"Japanese Buddhist Sculpture and Painting at the Los Angeles County Museum of Art," Arts of Asia, March- April, 1989, pp. 98-107.

"A Standing Gilt-Bronze Buddha of the 'Boyish' Category in the Tokyo National Museum," Orientations 21.1 (1990), pp. 64-70.

"Nihon bukkyo chokoku no sen yon hyaku nen: kaigai kara no shiten," (One Thousand Four Hundred Years Japanese Buddhist Sculpture: The View from Abroad) in Harada Heisaku Sasaki Shohei, Ota Takahiko, eds., Nihon no bijutsu 5- Geijutsugaku no fuoramu, Tokyo, 1994, pp. 358-371.

"The Buddhist Triad in Three Kingdoms Sculpture," Korean Culture 16.4 (Winter, 1995):18-35.

Catalog Essay

"Three Taisho Artists: Yorozu Tetsugoro, Koide Narashige, and Kishida Ryusei," in Thomas Rimer and Shuji Takashina, eds. Paris in Japan: The Japanese Encounter with European Painting, St. Louis, 1987, pp. 80-95.

Reviews

Review of J. Edward Kidder, Prehistoric Japanese Art: Jomon Pottery in Artibus Asiae 35.2/3 (1973), pp. 298-301.

Review of Seiichi Mizuno, Asuka Buddhist Art: Horyu-ji in The Asian Student (Dec. 11, 1974), p. 11.

Review of Tsugio Mikami, The Art of Japanese Ceramics, Journal of the American Oriental Society (=JAOS) 95.4 (1975), pp. 554-555.

Review of Masahiko Sato, Kyoto Ceramics, JAOS 95.3 (1975), PP. 516-517.

Review of J. Edward Kidder, Early Buddhist Japan, JAOS 95.3 (1975), pp. 515-516.

Review of Grisha F. Dotzenko, Enku, Master Carver, New York, 1976, The Asian Student, April 23, 1977.

Review of Seattle Art Museum, Ceramic Art of Japan: One Hundred Masterpieces from Japanese Collections, JAOS 97.1 (1977), pp. 93-94.

Review of Robert Treat Paine and Alexander Soper, with D.B. Waterhouse and Bunji Kobayashi, The Art and Architecture of Japan, first paperback edition (fully revised), 1975; JAOS 98.3 (1978), pp. 304.5.

Review of William Watson, Style in the Arts of China, JAOS 98.2 (1978), pp. 179-180.

Review of Yoshiaki Shimizu and Carolyn Wheelwright, editors, Japanese Ink Paintings from American Collections: The Muromachi Period, An Exhibition in Honor of Shujiro Shimada, Princeton 1976, JAOS 99.2 (1979), pp. 334-336.

Review of Noel Barnard, ed., in collaboration with Douglas Fraser, Early Chinese Art and its Possible Influence in the Pacific Basin, New York, 1972, JAOS 99.3 (1979), pp. 491-491.

Review of Beatrix von Rague, A History of Japanese Lacquerwork, Toronto, 1976, JAOS 100.3 (1980), pp. 384-385.

Review of William Trousdale, The Long Sword and Scabbard Slide in Asia, JAOS 102.1 (1982), pp. 145-146.

Review of Kazuaki Tanahashi, Enku: Sculptor of a Hundred Thousand Buddhas, Monumenta Nipponica 38.3 (1983), pp. 354-355.

Review of William Jay Rathbun, Beyond the Tanabata Bridge: Traditional Japanese Textiles, Journal of Asian Studies 53.4 (1994): 1275-1276

Review of Allan G. Grapard, The Protocol of of the Gods: A Study of the Kasuga Cult in Japanese History, Journal of Japanese Studies, (Winter, 1995)

Review of Dallas Finn, Meiji Revisited: The Sites of Victorian Japan, Journal of Japanese Studies, (Winter, 1996).

Pamphlets

"Matsumoto Shunsuke to Taiheiyo Senso," ("Matsumoto Shunsuke and the Pacific War"), Tokyo, Meiji University, 1979.

Notes

Introduction to an exhibition catalogue, Shin Hakken no Enku (Newly discovered sculpture by Enku), "Enku-ten ni yosete" ("Concerning the Enku Exhibition"), published by the Kyoto Shimbun (Kyoto Newspaper), Kyoto, 1970.