Friday,
May 20 _______________________
9:30 A.M. |
Coffee |
10:00 A.M. |
Session 1– Time and Narrative
Welcoming Remarks
Peter H. Reill, UCLA
Lorna Clymer, California State University, Bakersfield
Repetition and Progress in Early Modern British Poetry
Meredith Marie Neuman, Ahmanson-Getty Fellow, UCLA Center for 17th- & 18th-Century Studies
Telling and Time: Ruptured Conversion Stories in Seventeenth-Century New England |
12:00 P.M. |
Lunch |
1:30 P.M. |
Session 2 – Sounding Brass and Symbols
Nina Treadwell, University of California, Santa Cruz
Changing Time: Temporal Perceptions in Medicean Musical Theater
Marc Vanscheeuwijck, University of Oregon
Composition, Performance, and Time: Acoustics and the Music of San Petronio
Susan McClary, UCLA
Doing the Time Warp: Contorted Temporalities in Seventeenth-Century Italian Music |
4:30 P.M. |
Reception |
Saturday, May 21 _______________________
9:30 A.M. |
Coffee |
10:00 A.M. |
Session 3 – Mathematics, Science, and Affect
Daniel Garber, Princeton University
Disciplining Feeling: the Seventeenth-Century Idea of a Mathematical Theory of the Emotions
Elizabeth McCartney, Ahmanson-Getty Fellow, UCLA Center for 17th- & 18th-Century Studies
Passions of the Soul: The Language of Political Contest in Seventeenth-Century France
Penelope Gouk, University of Manchester
Clockwork or Musical Instrument? Some English Theories of Mind-Body Interaction Before and After Descartes |
1:00 P.M. |
Lunch |
2:00 P.M. |
Session 4 – Being and Time
Ronald L. Martinez, Brown University
Ossuary and Wunderkammer: Baroque Accumulation and Rhetorical Time in Marino and Basile
Jonathan Post, UCLA
John Milton: Footloose in Paradise
Richard Leppert, University of Minnesota
Temporal Interventions: Modernity and the Presentation of the Self
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