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Antonio Muscettola. La Carilda, overo bordello sostenuto.
Manuscript, Italian, c. 1730.
This is a long, unpublished poem in three parts about
an actress and courtesan named Giulia de Caro, known as La Carilda.
Muscettola (1628-79) became Duke of Spezzano and was a published poet
and playwright (Temp Ms.)
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Nicolas Racot de Grandval. Le pot de chamber cassé. Ridiculomane
[Paris]: [1742?].
This highly satirical play is dedicated “To Molière’s
Shade.” The jokes and plays on words come thick and fast, beginning
with the title-page (The Broken Chamber Pot, A Tragedy to Make You Laugh,
Or a Comedy to Make You Cry, etc. etc.). (*PQ1799.G73P83).
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Jean François de Batide. Le tribunal de l’amour, ou les
causes célèbres de Cythère. Cythera [Paris]: 1749.
This is a typical example of the racy eighteenth-century French novel
of love and private life, dressed up in an imprint meant to recall the
birthplace of Venus. (*PQ1955.B32T82).
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Le Chevalier de Meray. Les femmes, ou letters du Chevalier de K*****
au Marquis de M*****. The Hague: 1754.
This is an epistolary novel about the female sex, floridly dedicated
“à Vous, Sexe adorable.” (*PQ1947.F33).
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Pietro Aretino. Dubbi amorosi colle sue soluzione e sonetti lussuriosi.
Manuscript, Italian, mid-18th-century.
This little manuscript of Aretino’s pornographic sonnets and
other poems is a wonderful example of the “under the counter”
format in which prohibited texts circulated in the eighteenth century.
(Temp. Ms.).
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Pietro Aretino. Histoire des amours faintes et dissimulées de
Lais & Lamia, recitées par elles-mesmes. Paris: 1595.
This is a copy of a very rare French edition of one of Aretino’s
Ragionamenti. (*PQ4563R14F 1595).
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Giulio Cesare Croce. L”Eccellenza et trionfo del porco. Ferrara:
1594.
This volume contains ten popular chapbooks from 16th-century Italy,
including this homage to the delights of the pig (on the table, of course).
(*PQ4249A5D53 1595).
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Nicolas Chorier. Elegantiae latini sermonis, seu Aloisia Sigeia Toletana
De arcanis amoris & Veneris adjunctis fragmentis quibusdam eroticis
[liber]. Leiden: 1757.
This is one of the most infamous of all seventeenth-century erotic
books, in a highly sought-after eighteenth-century edition. The frontispiece
is attributed to Hubert François Gravelot. (*PQ8485C5A45 1757).
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