Thomas J. Harrison

Thomas J. Harrison

PROFESSOR OF ITALIAN

Mailing address
212 Royce Hall
Box 951535
Los Angeles CA 90095-1535

Phone
: 310 794 8912

Email: harrison@humnet.ucla.edu

EDUCATION

Ph.D., Comparative Literature, Graduate Center of the City University of New York, 1984.
M.Phil., Comparature Literature, CUNY, 1982.
B.A., Sarah Lawrence College, 1977.

 

BOOKS AUTHORED AND EDITED

1910:   The Emancipation of Dissonance (author).   Berkeley & Los Angeles:  
University of California Press, 1996.

Essayism:   Conrad, Musil and Pirandello (author).   Baltimore:   The Johns Hopkins University Press, 1992

Nietzsche in Italy (editor). Saratoga, CA:   Anma Libri, 1988.

The Favorite Malice: Ontology and Reference in Contemporary Italian Poetry (editor and translator).   New York:   Out of London Press, 1983.

 

GUEST EDITED JOURNALS

Double issue of Stanford Italian Review 6, nos. 1-2 (1986).   Reissued as the book Nietzsche in Italy .

Contemporary Italian Philosophy:   Critique of Ideology and Hermeneutics .   GraduateFaculty Philosophy Journal 10 (1984):   99-177 (with Peter Carravetta).   Studies by H. White, M. Perniola, G. Agamben and others.

 

SELECTED ESSAYS

“Laughter and the Tree of Knowledge,” Italy and France: Imagined Geographies, special issue of The Romanic Review vol. 97,  nos. 3-4 (May-November 2006):  501-515.

“Overcoming Aestheticism,” Italian Modernism:  Italian Culture between Decadentism and Avant-Garde, ed. Mario Moroni and Luca Somigli (Toronto:  University of Toronto Press, 2004), pp. 167-190.

“Hollywood,” entry in the five-volume Enciclopedia del Cinema Treccani (Treccani, 2005).

"The Remoteness of Poetry."   Afterword to Echoes of Memory:   Selected Poems of Lucio Mariani (Middletown, CT:   Wesleyan University Press, 2003), pp. 109-113.

"Tempus tacendi, tempus loquendi,"   Poesia 172 (May 2003).

"Fine della lotta fra poesia e filosofia," La lotta con Proteo , ed. Gay Bardin and Massimo Ciavolella (Florence:   Casalini, 2000), pp. 467-477.

"Playing with Plato's Shadows," Critic Eye 1 (April, 2000).

"Regicide, Parricide and Tyrannicide in Il fu Mattia Pascal :   Stealing from the Father to Give to the Son," Luigi Pirandello:   Contemporary Perspectives , ed. Gian-Paolo Biasin and Manuela Gieri (Toronto: University of Toronto Press, 1999), pp. 189-213.

"Leopardi, Unabomber," Giacomo Leopardi:   Poeta e filosofo , ed. Alessandro Carrera (Florence:   Cadmo, 1999), pp. 51-60.

"The Michelstaedter Enigma," Differentia:   Review of Italian Thought 8-9 (Spring/Autumn, 1999):   125-141.

"De ethiek van het misverstand:   Een twintigste-eeuws dilemma bij Michelstaedter, Lukács en Wittgenstein" (An Ethics of Misunderstanding), Nexus 20 (May, 1998):   66-91.

"Thinking in the Absence of Image," Introduction to Michelangelo Antonioni, Unfinished Business:   Screenplays, Scenarios and Ideas (New York:   Marsilio Publishers, 1998).

"Vi racconto Lord Jim," Il Carabiniere L, no. 12 (December, 1997):   38-44.

"Filosofia dell'arte, filosofia della morte," Filosofia '95 , ed. Gianni Vattimo (Bari:   Laterza, 1996).

"Stanley Fish," La critica in America, ed. John Picchione (Rome:   Bulzoni Editore, 1993), pp. 97-113.

"Alfredo Giuliani," Twentieth Century Italian Poetry:   An Anthology , ed. John Picchione and Lawrence R. Smith (Toronto:   University of Toronto Press, 1993), pp. 371-381.

"The Lyric and the Antilyric," Shearsmen of Sorts:   Italian Poetry 1975-1993 (Forum Italicum, Italian Poetry Supplement, 1992), pp. 109-130.

"Carlo Michelstaedter and the Metaphysics of Will," MLN 106 (December 1991):   1012-1029.

"Deconstruction and Reader-Response:   The Pedagogical Essay," Italian Literature in North America , ed. John Picchione and Laura Pietropaolo (Ottawa:   The Canadian Society for Italian Studies, 1990), pp. 131-138.

"D'Annunzio's Poetics:   The Orphic Conceit," Annali d'italianistica 5 (1987):   60-73.

"Have I Been Understood?   The Eternal Nowhere of Nietzschean Existence," Stanford Italian Review 6 (1986):   181-198.

"Andrea Zanzotto:   From the Language of the World to the World of Language," Poesis 5 (1984):   68-85.   Reprinted in The Empty Set , ed. Maurizio Godorecci (New York:   Queens College Press, 1984), pp. 66-78.

"Nietzsche, Heidegger, and the Language of Contemporary Italian Poetry," in The Favorite Malice , pp. 19-55.

 

REVIEWS

Michelangelo Antonioni, The Architecture of Vision:   Writings & Interviews on Cinema , Film Criticism XXII, no. 2 (Winter 1997-98): 66-71.

Claudia Monti, La metafora della scienza , Musil-Forum 17-18 (1991-92):   344-48.

Beverly Allen, Verso la "Beltà":   Gli esordi della poesia di Andrea Zanzotto , L'anello che non tiene 3 (1989):   76-78.

F. J. Jones, The Modern Italian Lyric , Italica 66 (1989):   361-64.

Jacques Taminiaux, Recoupements , Review of Metaphysics 39 (1985):   172-73.

Stephen Kern, The Culture of Time and Space , Review of Metaphysics 39 (1985):   162-63.

Thomas Sheehan, Heidegger:   The Man and the Thinker , Review of Metaphysics 37 (1983):   146-48.

Gianni Vattimo, Le avventure della differenza , Review of Metaphysics 35 (1981):   174-76.

 

RADIO AND TELEVISION

Mussolini's Secret War , one-hour documentary for The History Channel, 2001.   Interviewee.

Cool , RAI Tre, 1998.   With Paolo Fabbri and Jean Baudrillard.   Interviewee.

Sesame Street in Italy , Children's Television Workshop, New York, 1992.   Consultant.

Evening in Italy , a week-long television special for Group W-KYW Television, Philadelphia, 1990.   Production Coordinator.

Conversazione con Richard Rorty .   Interview with the philosopher on RAI , Italian National Broadcasting Corporation:   America from Coast to Coast , Terzo Programma, 1984.

 

 

 

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