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The
“Contenance Angloise”:
The
Roman de Fauvel:
Elizabeth Altman, Martin Daughtry, Gordon
Haramaki, Barbara Hui, Louis Niebur; Andrew Berish, Percussion Musae
Iovis: Elizabeth Altman, Martin Daughtry, Amy
Frishkey, Jonathan Greenberg, Sara Gross, Gordon Haramaki, Barbara
Hui, Elisabeth Le Guin, Louis Niebur, Holley Replogle, Erica Scheinberg,
Jacqueline Warwick Masques
& Monody: Jonathan Greenberg, Sara Gross, Gordon Haramaki, Elisabeth Le Guin, Erik Leidal, Louis Niebur, Caroline O'Meara, Erica Scheinberg Thomas
Weelkes : Hark, all ye lovely saints
above  Voices,
Signs, & Symbols:Medieval and Renaissance Song Friday January 25, 2002; Powell Library Rotunda Medieval and Renaissance vocal music is inextricably linked with its notation, but notation is only on half of the music. The spaces provided early modern composers through unwritten performance practice, such as the singerly practice of “false music,” invite a modern en-voicing of these signs and symbols. Spanning from the late fifteenth century to the late sixteenth century, this concert explores the medieval and renaissance vocal music both as musical objects of cultural exchange and as windows into another world. This concert also includes projected visuals to accompany the performance. Jonathan Greenberg, Sara Gross, Gordon Haramaki, Erik Leidal, Louis Niebur, Caroline O'Meara, Erica Scheinberg, Jacqueline Warwick Tomás
Luis de Victoria : Estote fortes in bello Music
of the Florentine Renaissance:  Jews and the Italian Renaissance: Music and Readings Friday May 11, 2001; 7:30, Powell Library Rotunda Sunday May 13, 2001; 3:00, Temple Emanuel, Beverly Hills Centered around the Jewish composer Salamone Rossi (c1570-1630) and the Jewish choreographer Guglielmo da Pesaro (c1420-c1481), this musical picture explores the dialogue and exchange, and the separate and shared musical territories of Jewish and Catholic cultures in Renaissance Italy. Spanning from the late fifteenth century to the early seventeenth century, featured works include sacred and secular compositions by Salamone Rossi, Claudio Monteverdi, Adrian Willaert, Josquin Desprez, Clemens non Papa, Orlando de Lasso, and Adriano Banchieri, and includes dances from Guglielmo's De pratica seu arte tripudii, featuring the Los Angeles-based renaissance dance troupe, Danzando. Christina Borgioli, Daniel Goldmark, Gordon Haramaki, Marla Littleton, Louis Niebur, Cecilia Sun, Jacqueline Warwick Danzando Lizbeth Langston, director: Bruce Bancroft, Joan Hulett, Karen Kahler, Janet Kraemer, Sheila Murphy-Nelson, Walter Nelson, Krisanto Pranata Orlando di Lasso : Ecco la nimph', Ebrayca chiamata Anna the Hebrew : Letter to Catherine Sforza, March 15, 1508 Adriano Banchieri : Mercante Bresciano et Hebrei Ansaldo Cebà : Letter to Sara Coppio Sullam Sara Coppio Sullam: Letter to Ansaldo Cebà Sara Coppio Sullam’s epitaph Alessando Coppini : Canzona de' Giudei: La Città Bella Guglielmo de Pesaro : “On Vocal Music” from The Art of Dancing Jacobus Clemens non Papa : Venit ergo rex Elijah Menahem Halfan : On the study of the Kabbalah Giovanni Pico, Count of Mirandola : Plato, the Kabbalah, and Christianity Elijah Levita : Instructing a cardinal in the Law Attr. Josquin Desprez : Stetit autem Salomon Salamone Rossi : Tra mill'e mille belle Giovanni Boccacio : "The tale of Saladin and Melchizedek" from The Decameron Guglielmo da Pesaro : Gratiosa Salamone Rossi : Pargoletta che non sai Guglielmo de Pesaro : “On learning Dancing” from The Art of Dancing Guglielmo da Pesaro : Spero Salamone Rossi : Canzone de' Baci Giovanni Ambrosio : Voltati in Ça Rosina Adrian Willaert : Victimae paschali laudes Salamone Rossi : Kaddish The San Marco Connection: Secular and Sacred Music of the Seventeenth Century Friday March 2, 2001; 7:30, Powell Library Rotunda  The gold-encrusted Byzantine assemblage that is the church of San Marco in Venice is the nexus of the last musical outpouring of the Renaissance and the beginnings of the musical extravagance of Baroque culture. This program explores the lavish diversity and influence of Venetian musical styles amongst Italian and non-Italian composers through the locus of the basilica of San Marco. The program includes music by Andrea and Giovanni Gabrieli, Alessandro Grandi, Claudio Monteverdi, Gabriele Fattorini, and Tarquinio Merula, as well as Mogens Pedersøn, Francisco Guerrero, and Heinrich Schütz. Areni Agbabian, Christina Borgioli, Mary Dulatre, Daniel Goldmark, Jonathan Greenberg, Gordon Haramaki, Er-Gene Kahng, Raymond Knapp, Marla Littleton, Louis Niebur, Caroline O’Meara, William Skeen, Cecilia Sun, Jacqueline Warwick Tarquinio Merula : Sinfonia Primo Tuono Giovanni Gabrieli : Hoc Tegitur Andrea Gabrieli : Deh, dove, senza me, dolce mia vita Mogens Pedersøn : Ardo, sospiro Claudio Monteverdi : Interrotte speranze Tarquinio Merula: Sonata Terza Francisco Guerrero : Ego flos campi Heinrich Schütz : Wann unsre Augen schlafen ein Gabriele Fattorini : Beata Viscera Alessandro Grandi : Osculetur me Heinrich Schütz : Anima mea liquefacta est Claudio Monteverdi : Non è di gentil core Heinrich Schütz : An den Wassern zu Babel  "Cantar e Danzar": Renaissance and Baroque Song and Dance Friday January 28, 7:30, 2000, Powell Library Rotunda Durrell Bowman, Katharina Brand, Daniel Goldmark, Gordon Haramaki, Kristin Hightower, Er-Gene Kahng, Elisabeth Le Guin, Erik Leidal, Louis Niebur, Rebecca Rosen, Sebastián Salvadó, Yara Sellin, Jacqueline Warwick Luca Marenzio : Cruda Amarilli—Ma grideran per me Jacques Arcadelt : Per non saperti ringraziar amore Fabritio Caroso : Villanella Fabritio Caroso: Contraposso Nuovo Fabritio Caroso: Allegrezza d'Amore Adrian Willaert : Lasso, ch'i ardo—Quest'arder mio Claudio Monteverdi : Lamento della Ninfa Orlando di Lasso : Je l'ayme bien et l'aymeray George Frederic Handel : E tale Otton?—Falsa immagine Heinrich Schütz : Der Engel sprach zu den Hirten Giovanni Gabrieli : Timor et tremor Fabritio Caroso : Leggiadra Marina Fabritio Caroso : Furioso all'Italiana
Durrell Bowman, Daniel Goldmark,
Gordon Haramaki, Elisabeth Le Guin, Erik Leidal, Jason Snyder, Cecilia
Sun The
Seven Last Words of Christ: |
Between
1450 and 1550 several generations of Franco-Flemish church and court
musicians achieved international fame, emerging as a recognized
“school” of Northern European composers of sacred and
secular music. This concert features the music of over a dozen Franco-Flemish
masters, including pieces by Gilles Binchois, Johannes Ockeghem,
Josquin Desprez, Nicolas Gombert, and their contemporaries, in a
program arranged around a series of laments composed by students
in honor of their teachers. 
Italian musical styles, composer Nicholas Lanier (1588-1666) is
credited with introducing the Italian technique of recitative into
England. The epitome of this Italian influence in the musical setting
of English words
is Lanier’s Hero and Leander, composed on his return
from Venice in 1628. This concert explores the differing musical
senses of the self as displayed in music, contrasting the importation
of the courtly musical subjectivity in the musical settings of Italian
composers such as Luca Marenzio, Sances, and Giulio Caccini with
the music of English composers Nicholas Lanier, ThomasWeelkes, Alonso
Ferrabosco II, John Coperario, and John Wilson.
"…in
mulieribus…":